The first section, “Pilgrim of Sorrow” begins in total stillness. The world premiere of A Jam Session for Troubling Times by … Using African-American spirituals, song-sermons, gospel songs and holy blues, this suite fervently explores the places of deepest grief and holiest joy in the soul. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Processional/Honor, Honor - Music adapted and arranged by Howard A. Roberts Ailey grew up in the stereotypical black, impoverished South, and he found refuge in the church. The "pilgrim of sorrow" also represents a bird trying to be free but never is. The contractions choreographed in the piece portray the strength that these people must exert to try to be free, however they are unable to reach that freedom, shown by the dancers falling to their knees. Alvin Ailey’s Revelations was premiered in 1960 and is based on Alvin Ailey’s childhood memories of worshipping at his Baptist church in Texas. The white umbrella is symbolic of water and being baptized as well. Ailey intended for the dance to be the second part of his larger, evening-length survey of African-American music which had been begun in 1958 with his work Blues Suite though this was never fully realized. Every American owes it to him or herself to see the Ailey [company] perform Revelations. The lyrics, along with the rolling movements of the arms and silk add to the importance of water in this dance. + Used by special arrangement with Galaxy Music Corporation, New York City. trouble, love and deliverance,” Alvin Ailey wrote for the premiere of Revelations on January 31, 1960, at the Kaufmann Concert Hall, 92nd Street YM-YWHA. [2] The dance conveys a ceremonial baptism, focusing on purity. 2008 performance footage of Alvin Ailey's 'Revelations.' A large group of dancers clad in white sweep onto the stage as baptismal agents—a tree branch to sweep the earth and a white cloth to cleanse the sky—lead a processional to the stream of purification. The dance then solidified into the three-part format seen today with a duration of 36 minutes. Alvin Ailey American Dance Theater grew from the now-fabled performance in March 1958 at the 92nd Street Y in New York. The choreography contains a lot of arms reaching, as people reach upward to rise. * Used by arrangement with G. Schirmer, Inc., publisher and copyright owner. Watch for the devotional leader in … It is best known for Ailey's masterwork, Revelations—a work which has been in its repertory since its creation in 1960. The original score included parts for guitar, percussion and violin and voice. Alvin Ailey American Dance Theater was founded in 1958 by dancer, choreographer, and visionary Alvin Ailey, to bring African-American Dance to all audiences. Five years later at age 27, Ailey founded the Alvin Ailey American Dance Theater to present his vision of honoring the African-American culture through dance. [8], Revelations is divided into three sections "Pilgrim of Sorrow", "Take Me to the Water" and "Move, Members, Move". These drab colors symbolise the earth, as Ailey’s intentions were to portray people attempting to rise up from the ground. Read More, New York – November 10, 2020 – This holiday season, Alvin Ailey American Dance Theater will continue a tradition of uplifting and uniting audiences across the globe with a free virtual engagement celebrating six decades of Revelations, thanks to the generous support of Bank of America. This dance uses a lot of team work. Ailey did not dance in the world premiere, but as early company personnel shifted, he performed some of its group sections as solos. Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. The hats and fans are used to enact church service, and the fast and upbeat music adds to the positivity. Alvin Ailey American Dance Theater Invites Viewers To Enjoy Family Programs During Ailey Forward - First-Ever Virtual Season Celebrating Six Decades Of Revelations New York – December 4, 2020 – Alvin Ailey American Dance Theater invites families around the world to gather for special family programming during Ailey Forward – the Company’s first-ever virtual holiday season. WATCH a short film celebrating Revelations at 50, LISTEN to the songs featured in Alvin Ailey's Revelations, WATCH Robert Battle and dancers discuss what Revelations means to them. To describe his childhood, Ailey said, "I was miserable then and felt very alone". Sections were removed as the work evolved, and an extensive tour sponsored by the U.S. Department in 1962 forced Ailey to commit the music for Revelations to recording. Advertisement. Using African American spirituals, song-sermons, gospel songs and holy blues, Ailey’s timeless masterpiece fervently explores the places of deepest grief and holiest joy in … Upon finding his place in California at the Thomas Jefferson High School, Ailey became involved with glee club, poetry, and language. Created by Ailey in collaborations with its original dancer James Trite, the solo builds on exercises derived from the Horton modern dance technique. Loretta Abbott, Merle Derby, Joan Derby, Jay Fletcher, Thelma Hill, Gene Hobgood, Natheniel Horne, Herman Howell, Minnie Marsall, Don Martin, Nancy Redi, Corene Richardson, Juliet "Geri" Seignious, Ella Thompson, James Truitte and Myrna White. New York – November 25, 2020 – Alvin Ailey American Dance Theater’s holiday virtual season Ailey Forward celebrating six decades of the beloved American masterpiece, Revelations, will launch on Wednesday, December 2 at 7:30pm ET with a “Revelations Reimagined” Opening Night Virtual Benefit. Privacy Policy   Alvin Ailey American Dance Theater in Alvin Ailey's Revelations with guest singer Ledisi. It is infused with what he terms “blood memories” – memories of his But since its premiere in 1960, the ballet has been performed continuously around the globe, transcending barriers of faith and nationality, and appealing to universal emotions, making it the most widely-seen modern dance work in the world. 1. A raucous ceremony is followed by the meditative solo "I Wanna Be Ready"[7] which communicates a devout man's preparations for death. Ailey’s extraordinary dancers will elevate a legacy of innovation and excellence in artistry with a reimagined season featuring premieres by Ailey’s Resident Choreographer Jamar Roberts; and Associate Artistic Director Matthew Rushing, in partnership with Company member and Assistant to the Rehearsal Director Clifton Brown, and former Company member Yusha-Marie Sorzano; a variety of other distinct programs; and a series of BattleTalk conversations, moderated by Artistic Director Robert Battle. All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration of the birthday of his wife, Barbara, and her deep commitment to Alvin Ailey American Dance Theater. AAADT's Michael Jackson Jr. in Alvin Ailey's Revelations. Fix Me, Jesus - Music arranged by Hall Johnson*, TAKE ME TO THE WATER [8]  To the strains of "Wade in the Water" a devotional leader bearing a large umbrella baptizes a young couple at a river, represented by yards of billowing blue silk stretched across the stage. Revelations illustrates the history, traditions, faith, and beliefs of the African American culture while telling the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals, gospels, and blues music. Nine special presentations extending from December 2 – 31 will each be available online for a one-week period and open to all. Movements of the arms and silk add to the portrayal of rising much reaching in section. 92Nd Street Y in New York City Theater in Alvin Ailey dance Foundation, Inc. all reserved... The 50th anniversary of 'Revelations ', which is considered one of the timeless masterpieces of American dance Theater become... 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